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On June 26, Hamilton most definitely showed what he can do. So this is why I got a chance to show people what I can do."
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I've been perfecting the music for a long time. I feel like if you nervous, you doing something you ain't got no business doing," says Hamilton. This playfulness also translates to the stage, where Hamilton engages the audience personally and honestly, making them laugh and sing and smile. He has a pied piper quality that's mesmerizing and magnetic, and this translates to his music, with addictive flows that demand to be played on repeat. See him inhabit any space as if it's his living room, joyfully unaware of protocol. See him get up and dance in the middle of a restaurant. He'll tell you simply: He did it because it's fun. Ask why Hamilton would make a record he can't profit from, especially when he has a deep catalog of unreleased originals. The mixtape is sample-heavy, unabashedly borrowing from Erykah Badu, LL Cool J, SZA, Jaheim and others. His latest album, released in April, is the mixtape Trapper No Trapping, (available on YouTube, Spotify, Apple Music and SoundCloud) with cover art depicting Dora the Explorer being carried away over the shoulder of the notorious, sneaky fox Swiper. And that's the very thing making him popular. Like that soulful singer, Trap Hamilton stays on top form with every release, self-expressive and untroubled by a desire for fame. A consummate multitasker, he strings together his day job, family obligations and music like a master weaver.Ī silver-tongued rapper with genius-level cadence and intonation that's completely his own, Hamilton is leaning into neo-soul as he develops his unique singing voice - his performing alias is a nod to fellow crooner Anthony Hamilton. Hamilton easily logs 30 hours in the studio every month. He seemingly never stops working at his music. Hamilton continued rapping and produced upward of 200 songs. In sixth grade, he and his friend Jarvis rode the bus together to Carver Middle School, wrote verses, and called themselves the Hot Boys.
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The audience knows every word.īorn Paris Sketers, he grew up on the west side of Orlando in the heart of Pine Hills off Silver Star Road. His shows - whether at smaller spots like Soundbar or larger venues like the Beacham and Tier, or even stadiums like Auburndale Speedway - often turn into mass "Trap or Die" sing-alongs. "Trap or Die" was finally released in May 2020.įor more than a year, "Trap or Die" has gained momentum organically and become the work Hamilton is best known for, though he has been rapping much longer. However, he stuck with the mad-scientist engineers at 212 and refined his work, recording and re-recording another seven times until he felt he got it right. It was first recorded in 2018 at his favorite studio, 212 Recording in Altamonte Springs, but Hamilton wasn't happy with his performance on the track. Hamilton's lyrics tell the stories of his life, illuminating the beauty and dignity of the ordinary.
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The "Trap or Die" single was the result of these efforts, a tuneful series of intimate musical snapshots of his day-to-day experiences in the City Beautiful. "I was like, 'I know I can write this music. It had powerful messages," Hamilton says.
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But '90s R&B music had so much meaning to it. All the music was about sex, it was uptempo, the Migos flow. That deep, warm voice was hiding out, waiting for an opportunity. Though Hamilton is recognized as one of the foremost representatives of trap-soul in Orlando, the irony is that until a scant few years ago, he didn't even know he could sing.